hitchcock filme netflix

Netflix hat den Hitchcock-Klassiker „Rebecca“ neu aufgelegt. It's pretty to look at — the French Riviera of the film's opening act is colorful and sunny, and the Cornish cliffs of its conclusion are dramatic and thrilling. Our narrator is actually the second Mrs. de Winter — the first, named Rebecca, was a fabulous and charming beauty, beloved by all — including Mrs. Danvers (Kristin Scott Thomas), Manderley's chief housekeeper. The narrative centers on an unnamed woman (played by Joan Fontaine in Hitchcock's original and Lily James in the 2020 version) who falls in love with and marries the mysterious widower Maxim … There you go. The original movie, released in 1940, won an Oscar for "Best Picture" and … Review:Netflix's haunting new 'Rebecca' stylishly reimagines a Hitchcock classic Halloween movies:10 thrillers and chillers to watch at home for a … Mit diesem Projekt wagt sich Netflix in das Gebiet der Film-Klassiker vor: Der Streaming-Dienst plant den oscarprämierten Film "Rebecca" der Regisseur-Legende Alfred Hitchhock neu aufzulegen. "Swoony" being the key word here, because that's a polite, Hays-Code-appropriate way of saying "horny." Rebecca (1940) is a strikingly horny movie, filled with characters breathlessly panting after one another, and doing so in the slightly heightened, stylized, larger-than-life performance style of the era. Last week, Netflix announced that its remake of Alfred Hitchcock's classic Rebecca will be released on October 21. The film needed a change. The 1930s are contemporary for Hitchcock’s “Rebecca,” and that’s the era Wheatley harks back to for his period piece, which pays homage in look and feel to its cinematic predecessor. “If there was a 20-year age gap and a guy treated his new wife the way Maxim treats his, it would just make the modern audience uncomfortable – as it should," Hammer says. As Hammer puts it, “’It's a ghost story with no ghosts.”, Review:Netflix's haunting new 'Rebecca' stylishly reimagines a Hitchcock classic, Halloween movies:10 thrillers and chillers to watch at home for a horror-filled October, “Rebecca” is also the kind of tale “that reverberates through generations,” he says. The immense estate and her new duties gradually overwhelm her as Danvers works to undermine her authority and her sanity, until a horrible discovery is made, involving a scuttled sailboat. Die Neuauflage eines Klassikers von Alfred Hitchcock sorgt bei Netflix für Gänsehaut pur – das verspricht jedenfalls der offizielle Trailer von "Rebecca".In dem neuen Film ist nichts, wie es zunächst scheint. “Their balance of power is very symbiotic: As his starts to drop and he starts to break, she rises to the occasion.”. Ben Wheatley, the British director of Netflix’s new “Rebecca” (streaming Wednesday), doesn't think there's "anyone left alive who went to the premiere of that film. “You learn at the same pace as (the new Mrs. de Winter) and it's that growing, sickening feeling of like, ‘Oh, God, she didn't just die, she died in a tragic way,’” the director says. Anderson is unforgettable, largely because she appears to be doing so little while serving you so much — she remains unnervingly still, expressionless and unblinking from scene to scene, yet manages to radiate menace ... and subtext. So sehenswert ist das Remake! Oktober) neu verfilmt. Auf Netflix startet heute "Rebecca", die Neuauflage des Hitchcock-Thrillers aus den 40ern. Netflix’s steamy mystery film “Rebecca” modernizes a Hitchcock classic. It also gave Hammer an excuse to zoom around Monaco in a vintage 1920s Bentley. “She's building in her head that she'll never be as good as this person because (Rebecca is) so saintly.”. And instead of thrilling to the mysteries housed within its leering windows and crumbling masonry, you find yourself idly wondering what the guy's paying for groundskeeping. If you go into this Netflix retread with nothing to compare it to, it'll go down easy enough. There's a whirlwind sort-of-romance, and Maxim proposes, taking her back to Manderley, his massive estate in Cornwall. I decided to re-watch the 1940 Hitchcock film the day before watching the Netflix version, which was, by any measure, a huge mistake. The thing that stays with you about the 1940 film is how enthusiastically it steers into the swoony gothic mystery of it all. Theirs is less a relationship than a pathology, but the Netflix film envisions it as a romance that is destined to be happy, once all those pesky long-buried secrets come to light. It infuriates Maxim, and in a swirling, dizzying, fireworks-laden sequence, his new wife desperately pushes her way through the crowd, even seeing a mystery woman who may or may not be her spouse’s deceased wife. A little long, a little flabby in the middle maybe, but: Fine. © 2020 USA TODAY, a division of Gannett Satellite Information Network, LLC. sacrilege! Netflix verfügt über eine solide Auswahl an neueren und älteren Thriller-Filmen. There's the great Florence Bates as the narrator's employer, the perfectly named Edythe Van Hopper, a grand dame with a performative quaver in her voice that she can swap out on the fly for a low, appraising growl. (Side note: The filmmakers of the Netflix version maintain they are simply re-adapting ... and updating ... the novel, and pointedly not attempting to remake Hitchcock — but as they've preserved several of the alterations he made to the story, that assertion has more holes in it than the title character's doomed sailboat. If you haven't read or seen the tale before, here are the basics: Our unnamed, unassuming, inexperienced narrator (Lily James) meets the dashing British aristocrat Maxim de Winter (Armie Hammer) while she's working as an assistant to an insufferably imperious lady (Ann Dowd) in Monte Carlo. Like the Hitchcock movie starring Laurence Olivier and Joan Fontaine, “Rebecca” is based on Daphne du Maurier's 1938 gothic novel. Wheatley likes how screenwriter Jane Goldman’s new adaptation adds a thriller element toward the end of the film but also teases out the circumstances of Rebecca’s death gradually, unlike the book and the Hitchcock movie that give it away pretty early. Regisseur Ben Wheatley hat Daphne DuMauriers Psychothriller “Rebecca” (streambar ab 21. Anti-subtext, anti-horny, anti-swoon — at least in the performances, which are dialed back in a manner that renders them more realistic, yet far less interesting. When newlywed Mrs. de Winter (Lily James) arrives at her aristocratic husband’s (Armie Hammer) estate, she discovers the presence of his first wife, Rebecca, lingering in the home two years after her death. Streaming-Gigant Netflix ist mutig und liefert mit „Rebecca” die Neuauflage eines Hitchcock-Klassikers – hier erfährst Du alles zum Film mit Lily James. When 2020 Danvers goes round that final bend, I wasn't necessarily on board with her. The new Netflix film, on the other hand, is anti-... all of that. Lily James stars as a young newlywed who moves into the massive English estate of her new husband, Maxim de Winter (Armie Hammer), where the man’s dead spouse, Rebecca, still holds a lot of sway. The amount of enjoyment you get out of Netflix's wan remake of Alfred Hitchcock's 1940 swooning gothic romance Rebecca depends entirely on how familiar you are with that original film… Having them be somewhat close in age makes it more believable that they'd fall in love, Wheatley says: ”If you bought their romance at the beginning, then you put up with a lot of stuff that happens later on.". “When it was running well, it just was humming, man, and it was such a cool car to drive.”. ), it tacks on an ending which completely refutes the story's central, intriguing darkness. Instead, the film shunts off all of its swooniness to its direction, using dream sequences filled with overwrought special effects to establish James' character's disorientation. Netflix’s steamy mystery film “Rebecca” modernizes a Hitchcock classic. Wheatley shot his exteriors on location, with a bit of CGI goosing here or there, and the visual result is satisfyingly grand and sweeping, mostly. But what's most mystifying is how thoroughly Wheatley's film seems to have misread the ostensible "romance" between James' character and Hammer's Maxim. One fortunate thing about doing a new take on the psychological thriller “Rebecca,” 80 years after Alfred Hitchcock’s Oscar-winning version: There’s no one to offend from the original movie. Let's acknowledge: It is wildly unfair to compare this knock-off to Hitchcock's iconic classic, which, not for nothing, won the Academy Award for best picture. Nach "Rebecca" auf Netflix kommt "Bei Anruf Mord": Hitchcock-Klassiker wird zur Serie – mit einem Twist! Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980) was an English director and producer. The amount of enjoyment you get out of Netflix's wan remake of Alfred Hitchcock's 1940 swooning gothic romance Rebecca depends entirely on how familiar you are with that original film, and the 1938 novel by Daphne du Maurier from which it was adapted. Und Kristin Scott Thomas ist exquisit als böse Frau im Dienst eines Geistes. Instead it looks ... like a big house, basically. Sicherlich fehlen wie bei den meisten Genres auf der Streaming-Plattform einige große Klassiker, die weiter zurückreichen als in die 1990er Jahre, aber selbst da bessert sich Netflix zunehmend. “It drove like a pig, but it was awesome,” he says. In both the novel and the 1940 film, there is a great, yawning distance between the second Mrs. de Winter and her husband — he is much older, sneeringly condescending, and even cruel, where she is fearful, unsure and subservient. James' character is made to feel like an interloper, both by Danvers and by an increasingly distant Maxim. “I saw that scene as almost like a black hole, that the film is collapsing on itself,” Wheatley says of his “Rebecca” addition. And there is, of course, Judith Anderson as Mrs. Danvers, the performance that defines the movie. This is a regularly updated list with movies, series and documentaries with Alfred Hitchcock on Netflix. Netflix unterstützt die Prinzipien der Digital Advertising Alliance. Kerry Brown /Netflix Again and again, he had his actors declaim their lines or "drive" a car in front of rear-projections that hurt the eyes. Mrs. Danvers (Kristin Scott Thomas) is forbidding, foreboding and fierce — easily the best thing about Netflix's Rebecca remake. (The scene in which Danvers gently strokes the narrator's (Joan Fontaine) cheek with the sleeve of a mink coat has single-handedly launched a thousand queer media studies theses.). Hitchcock shot his film almost entirely on Hollywood soundstages, so many exterior scenes look hilarious today. The same opening shot, in Wheatley's film, tracks up a (much, much longer) drive, only to end up at a house, a real house, that carries none of the sinister magic and menace of Hitchcock's Manderley. That scene isn't doing the work it's meant to, but you know who is? There's also the fact that James spends most of the film on the perpetual verge of tears, while Hammer can't seem to muster Maxim's vaunted rage, which is so frequently referenced in the script, but never manages to make it to the screen. Der Film erzählt von dem dramatischen Leben des Maxim de Winter. “I wanted to make something that would fit into that world,” he says. About Alfred Hitchcock. But we'll come to that.). “Everyone's come as historical characters from the history of Britain and she's being basically crushed or ground down by the context and history of the house.". When newlywed Mrs. de Winter (Lily James) arrives at her aristocratic husband’s (Armie Hammer) estate, she discovers the presence of his first wife, Rebecca, lingering in the home two years after her death. And whereas Hitchcock's film and the original novel reveal the cause of Rebecca's death early on , … Netflix und Drittanbieter verwenden Cookies und ähnliche Technologien auf dieser Website, um Informationen über Ihre Browsing-Aktivitäten zu erfassen, die wir zur Analyse Ihrer Nutzung der Website, zur Personalisierung unserer Dienstleistungen und zur Anpassung unserer Online-Werbung verwenden. The Manderley estate's social event of the year turns into a nightmare for James’ heroine, who unwittingly wears one of Rebecca’s old gowns as a costume – subterfuge courtesy of manipulative housekeeper Mrs. Danvers (Kristin Scott Thomas). It was a painstakingly wrought miniature, engineered to impress ... and unsettle. It will feature Lily James (Cinderella, Mamma Mia! Netflix's haunting new 'Rebecca' stylishly reimagines a Hitchcock classic, 10 thrillers and chillers to watch at home for a horror-filled October, Your California Privacy Rights/Privacy Policy. Kristin Scott Thomas, is who. But in the Netflix adaptation, Maxim is portrayed as 33 (Hammer's same age). Von Markus Trutt — 17.11.2020 um 16:57 FB facebook TW Tweet That's the end of the review for folks who are coming to this story fresh. Here We Go Again) and Armie Hammer (The Social Network, Call Me By Your Name) as the de Winters and Kristin Scott Thomas as the housekeeper Mrs. Danvers. Mit Armie Hammer, Lily James und Kristin Scott Thomas. Mrs. Danvers (Kristin Scott Thomas) is forbidding, foreboding and fierce — easily the best thing about Netflix's Rebecca remake. “She starts to become so strong that he can lean on her in a way, where he can go to her and finally tell her exactly what's been going on with him,” Hammer says. I didn't feel too bad about that,” he says with a chuckle. The best rated item with Alfred Hitchcock on Netflix is "The Lady Vanishes" and appeared on screen in 1938. In the 1940 film, Olivier's take on the character was “just a big sourpuss,” says Hammer, whose Maxim is a “little bit more approachable” but also “more vulnerable and damaged.” He’s shown as a dapper guy with a sense of humor and mystery when Maxim and James’ never-named character meet. We Insist: A Timeline Of Protest Music In 2020, NPR's Fall TV Preview: 23 Suggestions For What To Watch Next. Perfectly fine. It must be said, however, that by starting the film in such a relatively grounded place, the journey Thomas is tasked with taking proves a much longer walk than Anderson's was, as the 1940 Danvers was pretty clearly off, from the jump. Netflix's Rebecca, directed by Ben Wheatley, is an adaptation of Daphne du Maurier's novel of the same name, but it's also a remake of Alfred Hitchcock's Oscar-winning 1940 feature-film version of the story. Her Danvers isn't nearly as outsized as Anderson's, but her choices are just as smart and specific. But it's also inevitable, because what the filmmakers have produced is not a fresh reimagining, but a dully dutiful remake. It's breathtaking. Which makes sense, as it was carefully designed to be. Pretty much if you did the math. “The same (stuff) that they were dealing with, worrying about your current husband's ex or people with relationship trauma in the past, all of those we're still going through today.”. With one notable exception that captures the difference between this new version and the classic that preceded it. hide caption. Hammer and Wheatley discuss five differences between their movie and the 1940 version: In the du Maurier book, Maxim is 42 and the second Mrs. de Winter is in her early 20s – a dynamic that’s reflected in the Hitchcock film, which made Olivier  look older than his 33 years (coincidentally, the same age Hammer was while filming). Hitchcock's opening shot tracks along the twisting and turning front drive of Manderley until the massive house finally comes into view — a sprawling, gloomy vision haunted by memory and regret. Okay. There is, however, one way that the Netflix version surpasses Hitchcock's, and it's entirely due to the 80 years' worth of developments in cinematic technology that stretch between the two films. Not only does it supply James' character with a final triumphant moment in her conflict with Danvers (galling! There's the exquisitely cast George Sanders, so oily that just standing in his presence provides a full-day's dose of omega-3s, as Rebecca's cousin; in his brief screen time manages to prove both a cad, and a bounder. Der Brite schlägt sich gut in der Nachfolge seines Landsmanns Alfred Hitchcock. Where Hitchcock used simple shadow and light to drive home Fontaine's alienation and isolation, director Ben Wheatley stages a ham-fisted scene at a masquerade ball to literalize James' character's mental breakdown. And again, if this is your first visit to Manderley, it'll prove distracting enough for the COVID era.

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